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In July 2015 a group of BArch (Hons) Architecture students from Nottingham Trent University (NTU) participated in a research project, which involved the documentation of invisible memory points in Nottingham.

As part of their research the students visited the National Memorial Arboretum (NMA), a key location for national remembrance in the UK. Most of the images included in this show are a direct response to the commemorative architecture: a visual and textual reaction to the experience of visiting the NMA and other memory points in the UK.

NTU students, David Symons, Emma Hewitt and Rumbi Mukundi worked with three students from Brazil – Marina Martinelli, Felipe Bomfim and Alina Peres – to create a website with an interactive map and blog, as well as a printed tourist map. The idea of the site was to increase awareness of the architecture of memory in Nottingham and beyond.

Visit the website to view the student project.

Public Engagement

The group have also printed out a selection of quotes which refer to photography and the visual representation of memory, as well as the experience of architecture.

When visiting the exhibition we invite you to respond to these images and quotes by writing directly onto the wall in order to contribute to the work in progress. Tell us how the image or text makes you feel – do you agree with what they represent?

Responses are invited in any format – it’s up to you.

The project was led by Dr. Ana Souto, Senior Lecturer in Architecture and supported by Prof. Duncan Higgins, Professor of Visual Arts at NTU.


So much of our experience of architecture is not the result of a first-hand encounter, but is the consequence of a photographic image. Photography does not merely facilitate our experience of architecture, it arguably constructs that experience – much of what we see has been decided by the photographer.

In Place of Architecture brought together a group of contemporary artists to explore the role that photography and moving image play in our interpretation, perception and understanding of the architectural environment. Artists included:

Peter Ainsworth, Michele Allen, Emily Andersen, Peter Bobby,  Tim Daly, Charlotte Fox, Fergus Heron, Esther Johnson, Andy Lock, Fiona Maclaren (view in IE), Guy Moreton, Martin NewthEmily Richardson.

A programme of events and activities was also curated to compliment the themes highlighted by the exhibition.

#NTUIPOA


Inscription: The Almshouse Tempera Project presented the work of four contemporary artists who have investigated the historical but still very active form of social housing known as the almshouse, through the early painting medium of egg tempera.

The artists Derek Hampson, Deborah Harty, Atsuhide Ito, and Peter Suchin also included actual material fragments from almshouses within the exhibition, inscribing both the image and the physical presence of the almshouse into the gallery.

Read more about the project.

The project was supported by Arts Council England and Nottingham Community Housing Association.

#MADEINWOOD

Made in Wood was a collaborative exhibition and research event between staff and Architecture students from Nottingham Trent University and Bergen Academy of Art and Design, Norway (KHiB).

The exhibition formed out of discussions with KHiB in relation to the annual Bergen International Wood Festival.

Taking inspiration from Italo Calvino’s Invisible Cities, the students addressed how global cities seem to challenge the laws of gravity, with soaring skyscrapers that compete to reach imposing heights.

Watch the video above to see the city of wood take form in the Gallery.

The Gallery was split into three distinctive districts overlooked by a bridge; each district depicted a different interpretation of a city scape.

The Bridge

Built to overlook the city, the bridge provided a focal point from all areas. An atmosphere of power and superiority was portrayed, contrasting with the ghetto below.

The Ghetto

Situated to the left of the bridge, this district represented the need for housing in built-up areas; how nationalities come together to build communities out of whatever can be found. A tight, enclosed atmosphere was created by the narrow spaces and multiple routes through the district.

Industry

As you looked to the right of the bridge this area was built to represent the historical industrial background of both Nottingham and Bergen and many cities around the world. It portrayed a ‘gritty’ atmosphere that was present before modern technology took over.

Lights of the Modern City

Placed at the rear of the Gallery, this district represented the growth of the modern city and how lighting from it can impact on surrounding areas. It drew particular attention to how imposing modern structures can be. The lighting creates a spiritual atmosphere and futuristic feel, acting as a beacon for all in the city.

Download a copy of the Made in Wood student brief

The wood used in this exhibition was kindly donated by John A. Stephens of Lady Bay, Nottingham.

Instagram Takeover #MADEINWOOD

For the duration of the Made in Wood exhibition we handed over our Instagram account to the students from Bergen and NTU, for them to create a visual diary of their experience. Check out their story on the Bonington Gallery Instagram feed.

As part of Nottingham Trent University’s 170th Anniversary of Art and Design, this exhibition showcased a collection of images by acclaimed architectural photographer, Martine Hamilton Knight D.Litt (hon).

The exhibition looked back over the last 20 years in recognition of the innovative and iconic buildings that make up Nottingham’s skyline.

Featuring the work of Hopkins Architects, this exhibition included the stunning Inland Revenue building, Nottingham Trent University’s Newton and Arkwright building and the University of Nottingham’s Jubilee Campus, as well as other Nottingham Trent University buildings.

Venue
Newton Building
Goldsmith Street
Nottingham
NG1 4BU

This inaugural exhibition marked the launch of Nottingham Trent University’s Centre for Architecture and Cultural Heritage of India, Arabia and the Maghreb.

ArCHIAM undertakes architectural, urban history and heritage related research and impact work for Architecture, Heritage and Global Difference, AHGD based at NTU – the umbrella centre for the humanities-based study of architecture, material culture and the built environment within a globalizing context.

ArCHIAM is an interdisciplinary forum which brings together a wide range of researchers interested in the study of the architecture of three interconnected global spheres. Cutting across traditional disciplinary boundaries, the Centre provides an exciting opportunity for the study of both historical and contemporary phenomena with an aim of developing theoretical positions but also though practice-based research.

The exhibition was designed and set up by the ArCHIAM Centre, and led by prof Bandyopadhyay.