Ear to Ear
Karol Radziszewski Sep - Dec 2021
Bonington Vitrines #17: Andrew Logan, Alternative Miss World Sep - Dec 2021
Andrew Logan: The Joy of Sculpture Apr - May 2021
Reactor: Here, the Gold Ones meet Oct - Dec 2020
Sophie Cundale: The Near Room Feb - Mar 2020
Matt Woodham: Sensing Systems (streaming online) Jan - Jan 2020
Nick Chaffe: Motif Residency exhibition Nov - Feb 2020
Motif Sep - Nov 2019
Waking the witch: Old ways, new rites Apr - May 2019
The Big Head Man Sep - Nov 2019
Bonington Vitrines #13: Wayne Burrows – Works from the Hallucinated Archive Apr - May 2020
Bonington Vitrines #16: The Captive Conscious (POSTPONED) Feb - Mar 2020
Bonington Vitrines #15: Nomadic Vitrine with Mick Peter (CLOSED) Nov - Feb 2020
Bonington Vitrines #14: Journeys to Nottingham from the Windrush Generation Apr - May 2019
Bonington Vitrines #12: Complaint Jan - Feb 2019
Bonington Vitrines #10: Jewell Feb - Feb 2019
UKYA City Takeover Apr - May 2019
C/J
Chloé Maratta and Joanne Robertson Mar - Mar 2019
The Community Live in Nottingham Nov - Dec 2018
THE SERVING LIBRARY V DAVID OSBALDESTON Nov - Dec 2018
Bonington Vitrines #9: Towards The Serving Library Annual Nov - Dec 2018
Emily Andersen Portraits: Black & White Book launch and exhibition Sep - Oct 2018
BONINGTON VITRINES #8: HOUSE OF WISDOM Jan - Feb 2019
DICK JEWELL: NOW & THEN Sep - Oct 2018
THE ACCUMULATION OF THINGS Apr - Apr 2018
Video Days Preview Apr - May 2018
Video Days Apr - Apr 2018
Video Days: Week One Screenings Apr - Apr 2018
Video Days: Week Two Screenings Apr - May 2018
Video Days: Week Three Screenings May - May 2018
Video Days: Week Four Screenings May - May 2018
Video Days: Week Five Screenings Apr - May 2018
Bonington Vitrines #7: The Bonington building, est. 1969 Feb - Mar 2018
Bonington Vitrines #6: One Eye on the Road – festival and traveller culture since the 1980s Feb - Mar 2018
LACE UNARCHIVED Jan - Feb 2018
Bonington Vitrines #5: Communicating the Contemporary – The ICA Bulletin 1950s to 1990s Nov - Dec 2017
Bonington Vitrines #4: Sara MacKillop publications, 2008–2017 Sep - Oct 2017
Bonington Vitrines #3: London’s Calling Jan - Feb 2018
Ruth Angel Edwards: Wheel of the Year
! EFFLUENT PROFUNDAL ZONE ! Nov - Dec 2017
Sara MacKillop: One Room Living Sep - Oct 2017
It’s Our Playground: Artificial Sensibility Apr - May 2017
YOU’RE GONNA NEED A BIGGER BOAT Sep - Oct 2016
MOULD MAP 6 — TERRAFORMERS Oct - Dec 2016
KRÍSIS Jan - Feb 2017
ALL MEN BY NATURE DESIRE TO KNOW Jan - Feb 2017
Bonington Vitrines #2: Marbled Reams Oct - Dec 2016
Bonington Vitrines #1: Selections from the Raw Print Archive Feb - Mar 2017
SHAPELESS IMPACT NOT TIME SLOW IS (FLITS BY) Feb - Mar 2016
Imprints of Culture: Block Printed Textiles of India Apr - May 2016
PUBLISHING ROOMS
14 Feb - 1 Mar 2013
Ear to Ear
An Exhibition by Robert Squirrell and Thomas Hall
Opening up a space for the ear and the voice, Ear to Ear offered an invitation to its audience to become immersed in sonic space. It challenged the dominance of the visual in both the world of contemporary art and the modern day art and design school.
This exhibition featured immersive sound works by Robert Squirrell and Thomas Hall as well as a collection of playbacks and screenings curated by Rob Flint, on behalf of the Listening Group*.
Sirens by Thomas Hall
Hypnotic and enchanting Sirens is an immersive aural and visual experience, resonating the allure and seductiveness of the mythical sea deities. Enticed into the installation by an ever changing musical arrangement of voices the viewer is surrounded by imposing sculptural forms, evoking impressions of being trapped in the hull of a boat or caught in the clutches of a pair of hands. Each experience is unique to the individual viewer.
Inharmonic Accelerator by Robert Squirrell
An interactive sound installation in the form of a spiral maze exploring ideas related to the Large Hadron Collider – CERN, particle physics, circularity and what it might sound like. Curious about our understanding of the universe, the work sonically explores a physical experience of play in an immersive surround sound environment.
Thomas Hall and Robert Squirrell are both members of Engagement Party, an artist led group working individually and collectively with notions of active engagement, interaction and play.
*Listening Group is an informal meeting of students and staff. It is intended to be a place for focusing attention to art-works that foreground sound and active listening.
