It’s Our Playground: Artificial Sensibility
Karol Radziszewski Sep - Dec 2021
Bonington Vitrines #17: Andrew Logan, Alternative Miss World Sep - Dec 2021
Andrew Logan: The Joy of Sculpture Apr - May 2021
Reactor: Here, the Gold Ones meet Oct - Dec 2020
Sophie Cundale: The Near Room Feb - Mar 2020
Matt Woodham: Sensing Systems (streaming online) Jan - Jan 2020
Nick Chaffe: Motif Residency exhibition Nov - Feb 2020
Motif Sep - Nov 2019
Waking the witch: Old ways, new rites Apr - May 2019
The Big Head Man Sep - Nov 2019
Bonington Vitrines #13: Wayne Burrows – Works from the Hallucinated Archive Apr - May 2020
Bonington Vitrines #16: The Captive Conscious (POSTPONED) Feb - Mar 2020
Bonington Vitrines #15: Nomadic Vitrine with Mick Peter (CLOSED) Nov - Feb 2020
Bonington Vitrines #14: Journeys to Nottingham from the Windrush Generation Apr - May 2019
Bonington Vitrines #12: Complaint Jan - Feb 2019
Bonington Vitrines #10: Jewell Feb - Feb 2019
UKYA City Takeover Apr - May 2019
C/J
Chloé Maratta and Joanne Robertson Mar - Mar 2019
The Community Live in Nottingham Nov - Dec 2018
THE SERVING LIBRARY V DAVID OSBALDESTON Nov - Dec 2018
Bonington Vitrines #9: Towards The Serving Library Annual Nov - Dec 2018
Emily Andersen Portraits: Black & White Book launch and exhibition Sep - Oct 2018
BONINGTON VITRINES #8: HOUSE OF WISDOM Jan - Feb 2019
DICK JEWELL: NOW & THEN Sep - Oct 2018
THE ACCUMULATION OF THINGS Apr - Apr 2018
Video Days Preview Apr - May 2018
Video Days Apr - Apr 2018
Video Days: Week One Screenings Apr - Apr 2018
Video Days: Week Two Screenings Apr - May 2018
Video Days: Week Three Screenings May - May 2018
Video Days: Week Four Screenings May - May 2018
Video Days: Week Five Screenings Apr - May 2018
Bonington Vitrines #7: The Bonington building, est. 1969 Feb - Mar 2018
Bonington Vitrines #6: One Eye on the Road – festival and traveller culture since the 1980s Feb - Mar 2018
LACE UNARCHIVED Jan - Feb 2018
Bonington Vitrines #5: Communicating the Contemporary – The ICA Bulletin 1950s to 1990s Nov - Dec 2017
Bonington Vitrines #4: Sara MacKillop publications, 2008–2017 Sep - Oct 2017
Bonington Vitrines #3: London’s Calling Jan - Feb 2018
Ruth Angel Edwards: Wheel of the Year
! EFFLUENT PROFUNDAL ZONE ! Nov - Dec 2017
Sara MacKillop: One Room Living Sep - Oct 2017
It’s Our Playground: Artificial Sensibility Apr - May 2017
YOU’RE GONNA NEED A BIGGER BOAT Sep - Oct 2016
MOULD MAP 6 — TERRAFORMERS Oct - Dec 2016
KRÍSIS Jan - Feb 2017
ALL MEN BY NATURE DESIRE TO KNOW Jan - Feb 2017
Bonington Vitrines #2: Marbled Reams Oct - Dec 2016
Bonington Vitrines #1: Selections from the Raw Print Archive Feb - Mar 2017
SHAPELESS IMPACT NOT TIME SLOW IS (FLITS BY) Feb - Mar 2016
Imprints of Culture: Block Printed Textiles of India Apr - May 2016
PUBLISHING ROOMS
22 Sep - 27 Oct 2017
It’s Our Playground: Artificial Sensibility
We are delighted to begin our 2017/18 exhibition season with a solo exhibition of new work by Paris-based artist duo It’s Our Playground (IOP), comprised of Camille Le Houezec and Jocelyn Villemont.
Artificial Sensibility continues the duo’s ongoing reflection on artificial intelligence – when technology mimics human cognitive behaviour. Artificial Sensibility reveals a hybrid learning process of automated principles of recognition and basic human methods of education.
Presented via a series of intuitively formed constructs of blended colours, warped shapes and images of natural elements, misunderstanding and ambiguity gives rise to free-form poetic response.
As their core practice, IOP have curated many exhibitions of artists’ work. Artificial Sensibility will be an opportunity to widen their scope of production by collaborating closely with other types of makers, including technical and artisan practitioners with specific savoir-faire.
Artificial Sensibility follows Reconstructive Memory Galerie Valentin, Paris, 2016; Mental Matter, Les Bains-Douches, Alençon, 2016; Deep Screen, Parc Saint-Léger, Pougues-les-Eaux, 2015; and Screen Play, SWG3 Gallery, Glasgow, 2014. It is part of an ongoing exploration into methods of producing, installing, apprehending and distributing an exhibition in physical spaces, online, and in the hard drive of our brains.
IN CONVERSATION
Read our latest in-conversation piece with IOP as we caught up with them ahead of the install.
Images © IT’S OUR PLAYGROUND:
1. CHERRY_cherry_PEACH_peach, 2017
UV print on dibond, aluminium casts, glass paint, aluminium box section, polyester.
Courtesy of the artists & galerie Valentin, Paris.
2. VIOLET_violet_CORAL_coral, 2017
UV print on dibond, aluminium casts, glass paint, aluminium box section, polyester.
Courtesy of the artists & galerie Valentin, Paris.
3. ORANGE_orange, 2017
UV print on dibond, aluminium casts, glass paint, aluminium box section, polyester.
Courtesy of the artists & galerie Valentin, Paris.
4. OLIVE_olive_LAVENDER_lavender, 2017
UV print on dibond, aluminium casts, glass paint, aluminium box section, polyester.
Courtesy of the artists & galerie Valentin, Paris.
5. ROSE_rose, 2017
UV print on dibond, aluminium casts, glass paint, aluminium box section, polyester.
Courtesy of the artists & galerie Valentin, Paris.
6. SALMON_salmon_EGGSHELL_eggshell, 2017
UV print on dibond, aluminium casts, glass paint, aluminium box section, polyester.
Courtesy of the artists & galerie Valentin, Paris.
COLLABORATORS
Casting and foundry: Benoît Villemont
Graphic design (typography): Camille Garnier and Alex Paraboschi Sound piece: Thibaut Villemont
Exhibition Photography: Julian Lister
Artificial Sensibility is part funded by Fluxus Art Projects, a not for profit Franco-British organisation encouraging cross-channel exchanges in visual arts.
