CAMPUS Talks: Quinsy Gario

Feb - Mar 2021
Reactor: Here, the Gold Ones meet
Oct - Dec 2020
Sophie Cundale: The Near Room
Mar - May 2021
The Annotated Reader
Feb - Mar 2020
Matt Woodham: Sensing Systems (streaming online)
Jan - Jan 2020
Nick Chaffe: Motif Residency exhibition
Nov - Feb 2020
Motif
Sep - Nov 2019
Waking the witch: Old ways, new rites
Apr - May 2019
The Big Head Man
Sep - Nov 2019
Bonington Vitrines #13: Wayne Burrows – Works from the Hallucinated Archive
Apr - May 2020
Bonington Vitrines #16: The Captive Conscious (POSTPONED)
Feb - Mar 2020
Bonington Vitrines #15: Nomadic Vitrine with Mick Peter (CLOSED)
Nov - Feb 2020
Bonington Vitrines #14: Journeys to Nottingham from the Windrush Generation
Apr - May 2019
Bonington Vitrines #12: Complaint
Jan - Feb 2019
Bonington Vitrines #10: Jewell
Feb - Feb 2019
UKYA City Takeover
Apr - May 2019
C/J
Chloé Maratta and Joanne Robertson
Mar - Mar 2019
The Community Live in Nottingham
Nov - Dec 2018
THE SERVING LIBRARY V DAVID OSBALDESTON
Nov - Dec 2018
Bonington Vitrines #9: Towards The Serving Library Annual
Nov - Dec 2018
Emily Andersen Portraits: Black & White Book launch and exhibition
Sep - Oct 2018
BONINGTON VITRINES #8: HOUSE OF WISDOM
Jan - Feb 2019
DICK JEWELL: NOW & THEN
Sep - Oct 2018
THE ACCUMULATION OF THINGS
Apr - Apr 2018
Video Days Preview
Apr - May 2018
Video Days
Apr - Apr 2018
Video Days: Week One Screenings
Apr - Apr 2018
Video Days: Week Two Screenings
Apr - May 2018
Video Days: Week Three Screenings
May - May 2018
Video Days: Week Four Screenings
May - May 2018
Video Days: Week Five Screenings
Apr - May 2018
Bonington Vitrines #7: The Bonington building, est. 1969
Feb - Mar 2018
Bonington Vitrines #6: One Eye on the Road – festival and traveller culture since the 1980s
Feb - Mar 2018
LACE UNARCHIVED
Jan - Feb 2018
Bonington Vitrines #5: Communicating the Contemporary – The ICA Bulletin 1950s to 1990s
Nov - Dec 2017
Bonington Vitrines #4: Sara MacKillop publications, 2008–2017
Sep - Oct 2017
Bonington Vitrines #3: London’s Calling
Jan - Feb 2018
Ruth Angel Edwards: Wheel of the Year
! EFFLUENT PROFUNDAL ZONE !
Nov - Dec 2017
Sara MacKillop: One Room Living
Sep - Oct 2017
It’s Our Playground: Artificial Sensibility
Apr - May 2017
YOU’RE GONNA NEED A BIGGER BOAT
Sep - Oct 2016
MOULD MAP 6 — TERRAFORMERS
Oct - Dec 2016
KRÍSIS
Jan - Feb 2017
ALL MEN BY NATURE DESIRE TO KNOW
Jan - Feb 2017
Bonington Vitrines #2: Marbled Reams
Oct - Dec 2016
Bonington Vitrines #1: Selections from the Raw Print Archive
Feb - Mar 2017
SHAPELESS IMPACT NOT TIME SLOW IS (FLITS BY)
Feb - Mar 2016
Imprints of Culture: Block Printed Textiles of India
Apr - May 2016
PUBLISHING ROOMS
Nov - Dec 2015
In Place of Architecture
Jan - Feb 2016
Performing Drawology

13 Feb - 13 Feb 2020

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CAMPUS Talks: Quinsy Gario

Quinsy Gario is a visual and performance artist from the Dutch Caribbean. His most well-known work, Zwarte Piet Is Racisme (2011–2012), critiqued the general knowledge surrounding the racist Dutch figure and practice of Zwarte Piet (Black Pete), later bringing into the open the governmental institutional support that keeps the figure alive in the Netherlands.

He has an academic background in gender studies and postcolonial studies and is a graduate of the Master Artistic Research program at the Royal Academy of Art, The Hague. In 2017, he received a Humanity in Action Detroit Fellowship.

Gario is a board member of De Appel, Keti Koti Table, and The One Minutes, a member of the pan-African artist collective State of L3, and is a recurring participant of the Black Europe Body Politics biannual conference series.

If you would like to attend this event, please RSVP to confirm your attendance.

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CAMPUS Independent Study Programme
CAMPUS is a year-long and city-wide independent study programme in curatorial, visual and cultural studies, based on collaborative knowledge production and innovative research practices. It is a free-to-attend programme of monthly closed-door gatherings and free public talks. Taking place in different locations in Nottingham (Nottingham Contemporary, Primary, Bonington Gallery, Backlit), CAMPUS welcomes participants from different backgrounds who wish to engage in conversations about contemporary debates and further explore interdisciplinary practices. CAMPUS is a space of encounter between researchers, practitioners, activists, scholars, institutions and organisations.

 

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