Video Days: Week Three Screenings


Video Days takes its title from the 90s skateboard video by Blind Skateboards. Produced in 1991 by American skateboarder and filmmaker, Spike Jonze, the iconic video depicts street and park skating in the US, and is considered one of the most influential skate videos of its time.

For the duration of 25 days the gallery will be transformed into an open cinema. Running daily, Video Days presents a different film or series of short films each day from different decades and genres. The films screened share several common themes, most prevalent is their relationship to the built environment.

All films/performances are played on repeat unless specified otherwise.

DISCLAIMER
The films on display do not come with a British Board of Film Classification (BBFC)
. We therefore advise that some of the films shown may contain scenes of nudity, discrimination, violence, drugs, imitable behaviour, and language unsuitable for young or vulnerable viewers. If you have any questions prior to visiting the gallery, please get in touch.

 

WEEK THREE SCREENINGS


 

» Monday 30 April
Simon MartinCarlton, 2006, (9 mins). Courtesy of LUX, London.
Looped all day.

The nine minutes of Simon Martin’s compelling, memorable film Carlton (2006) are devoted to a cultural philosophical meditation upon the Carlton cabinet, designed by Ettore Sottsass in 1981, and a founding example of the work made by the radical design group Memphis, established in Milan that same year. Outlandish, mischievous, heroically quirky – riding a perilous back-curve between supreme aesthetic poise and assuredly knowing kitsch – Memphis design was as much the articulation of an anti-historicist mission statement as it was a deft-footed style surf on the surging tides of 1980s excess.


 

» Tuesday 1 May
Berwick Street CollectiveNight Cleaners, 1975, (90 mins). Courtesy of LUX, London.
Screening times: 10 am, 11.45 am, 1.30 pm, 3.15 pm

Nightcleaners Part 1 was a documentary made by members of the Berwick Street Collective (Marc Karlin , Mary Kelly, James Scott and Humphry Trevelyan ), about the campaign to unionize the women who cleaned office blocks at night and who were being victimized and underpaid. Intending at the outset to make a campaign film, the Collective was forced to turn to new forms in order to represent the forces at work between the cleaners, the Cleaner’s Action Group and the unions – and the complex nature of the campaign itself. The result was an intensely self-reflexive film, which implicated both the filmmakers and the audience in the processes of precarious, invisible labour. It is increasingly recognised as a key work of the 1970s and as an important precursor, in both subject matter and form, to current political art practice.


 

» Wednesday 2 May
Rollo Jackson
Gang Signs & Prayer, 2017.
Looped all day in sequence.

A visual testament to Stormzy’s life and upbringing, the film chronicles Stormzy’s inner battles and temptations as he becomes master of his own destiny. “Return of the Rucksack,” “Bad Boys” and “100 Bags,” taken from Stormzy’s award winning debut studio album “Gang Signs & Prayer,” serve as the soundtrack to the film of the same name.

“Young youts like myself, that grow up in the hood, we often don’t know that we are actually the masters of our own destiny,” says Stormzy. “There are so many things that steer us in the wrong direction however, we decide what happens in our own lives and like my album, I endeavoured for this film to portray just that. Derived from my album Gang Signs & Prayer, and written and directed by the legend that is Rollo, I’ll let the visual do the talking.”


Rollo Jackson,
 Slimzee’s Going on Terrible, 2014.
Looped all day in sequence.

Slimzee (‘Godfather of Grime’) was the co-founder of Rinse FM and DJ in the UK Garage collective ‘Pay As You Go Cartel’.

Slimzee’s Going on Terrible
charts his life, following his early days in pirate radio to receiving a career-threatening Asbo. Features old & new footage and interviews from fellow DJ’s & MC’s and even his own mother. 


 

» Thursday 3 May (late opening)
Frank Abbott, On the Air (Trilogy), 1978-86, 10 am – 5 pm
Screening times TBC.

A series of films which began as an independent artists project and were completed as a trilogy in the early days of Channel 4, a discursive intervention that questions broadcasting practices and history viewed from the sofa:

1. News and Comment, challenges the power of broadcast TV with a super 8mm camera during the political turbulence of the 1970s.
2. Workers Playtime constructs a history of ordinary people wondering about their place on the air.
3. Magic Hour launches a television station onto the street prefiguring the emergence of reality TV.

Frank Abbott, Neither Here Nor There: Displaced over 40 years, 1978-2018, live performance, 7 pm – 8 pm

Displaced over 40 years, Frank Abbott performs a live retrospective of his hand-held projector work.


 

» Friday 4 May
Mark Leckey, The March of the Big White Barbarians, 2005, (5 mins). Courtesy of LUX, London.
Looped all day.

London’s Public Sculptures are articulated by concrete poetry of Maurice Lemaitre in a free translation by Leckey’s Jack Too Jack.

“After doing the thing with the Epstein [sculpture], I went out actively looking for public sculptures, other monumental sculptures … again, this language feels lost to me … I know what they mean but they seem very distant … they felt neglected, and I wanted to try to sing them back, to reanimate them and make them alive again, because they seemed dead” – Mark Leckey.


 

» Saturday 5 May
Eric BaudelaireAlso Known As Jihadi, 2017, (99 mins). Courtesy of LUX, London.
Screening times: 11 am and 1 pm

Produced in the wake of the 2015 terrorist attacks in Paris, the film traces the journey and trial of a young man from the suburbs of Paris who travelled via Egypt to Syria to join the Al-Nusra Front (al-Qaeda). The subject’s path to radicalism is explored both through judicial transcripts and through a series of landscape shots filmed at the locations traversed by the subject: a biography determined not by what the subject did, but by what the subject saw. In this way, Baudelaire’s film positions itself as both a remake and a test of the landscape theory proposed by Japanese filmmaker Masao Adachi in his 1969 masterpiece A.K.A. Serial Killer, questioning how these landscapes reflect the social and political structures that form the backdrop for this journey of alienation and return.


 

Select other screenings:


 

» Video Days: week one screenings
» 
Video Days: week two screenings
» Video Days: week four screenings
» Video Days: week five screenings

Exhibition

DATE:

Mon 30 Apr 2018 - Sat 5 May 2018

TIME:

Monday – Friday, 10 am – 5 pm; Saturday, 11 am – 3 pm



Coming Soon

Exhibition
Apr 2018 - Apr 2018
Video Days: Week Two Screenings
Exhibition
Apr 2018 - May 2018
Video Days: Week Three Screenings
Exhibition
May 2018 - May 2018
Video Days: Week Four Screenings
Exhibition
May 2018 - May 2018
Video Days: Week Five Screenings
Talk
May 2018 - May 2018
Talk: Elijah, The Definition of Grime (To Me)
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