Sophie Cundale: The Near Room

Apr - May 2021
Reactor: Here, the Gold Ones meet
Oct - Dec 2020
Sophie Cundale: The Near Room
Feb - Mar 2020
Matt Woodham: Sensing Systems (streaming online)
Jan - Jan 2020
Nick Chaffe: Motif Residency exhibition
Nov - Feb 2020
Motif
Sep - Nov 2019
Waking the witch: Old ways, new rites
Apr - May 2019
The Big Head Man
Sep - Nov 2019
Bonington Vitrines #13: Wayne Burrows – Works from the Hallucinated Archive
Apr - May 2020
Bonington Vitrines #16: The Captive Conscious (POSTPONED)
Feb - Mar 2020
Bonington Vitrines #15: Nomadic Vitrine with Mick Peter (CLOSED)
Nov - Feb 2020
Bonington Vitrines #14: Journeys to Nottingham from the Windrush Generation
Apr - May 2019
Bonington Vitrines #12: Complaint
Jan - Feb 2019
Bonington Vitrines #10: Jewell
Feb - Feb 2019
UKYA City Takeover
Apr - May 2019
C/J
Chloé Maratta and Joanne Robertson
Mar - Mar 2019
The Community Live in Nottingham
Nov - Dec 2018
THE SERVING LIBRARY V DAVID OSBALDESTON
Nov - Dec 2018
Bonington Vitrines #9: Towards The Serving Library Annual
Nov - Dec 2018
Emily Andersen Portraits: Black & White Book launch and exhibition
Sep - Oct 2018
BONINGTON VITRINES #8: HOUSE OF WISDOM
Jan - Feb 2019
DICK JEWELL: NOW & THEN
Sep - Oct 2018
THE ACCUMULATION OF THINGS
Apr - Apr 2018
Video Days Preview
Apr - May 2018
Video Days
Apr - Apr 2018
Video Days: Week One Screenings
Apr - Apr 2018
Video Days: Week Two Screenings
Apr - May 2018
Video Days: Week Three Screenings
May - May 2018
Video Days: Week Four Screenings
May - May 2018
Video Days: Week Five Screenings
Apr - May 2018
Bonington Vitrines #7: The Bonington building, est. 1969
Feb - Mar 2018
Bonington Vitrines #6: One Eye on the Road – festival and traveller culture since the 1980s
Feb - Mar 2018
LACE UNARCHIVED
Jan - Feb 2018
Bonington Vitrines #5: Communicating the Contemporary – The ICA Bulletin 1950s to 1990s
Nov - Dec 2017
Bonington Vitrines #4: Sara MacKillop publications, 2008–2017
Sep - Oct 2017
Bonington Vitrines #3: London’s Calling
Jan - Feb 2018
Ruth Angel Edwards: Wheel of the Year
! EFFLUENT PROFUNDAL ZONE !
Nov - Dec 2017
Sara MacKillop: One Room Living
Sep - Oct 2017
It’s Our Playground: Artificial Sensibility
Apr - May 2017
YOU’RE GONNA NEED A BIGGER BOAT
Sep - Oct 2016
MOULD MAP 6 — TERRAFORMERS
Oct - Dec 2016
KRÍSIS
Jan - Feb 2017
ALL MEN BY NATURE DESIRE TO KNOW
Jan - Feb 2017
Bonington Vitrines #2: Marbled Reams
Oct - Dec 2016
Bonington Vitrines #1: Selections from the Raw Print Archive
Feb - Mar 2017
SHAPELESS IMPACT NOT TIME SLOW IS (FLITS BY)
Feb - Mar 2016
Imprints of Culture: Block Printed Textiles of India
Apr - May 2016
PUBLISHING ROOMS
Nov - Dec 2015
In Place of Architecture
Jan - Feb 2016
Performing Drawology
Nov - Dec 2015
Photography Dialogues

3 Oct - 12 Dec 2020

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Sophie Cundale: The Near Room

Bonington Gallery is pleased to present The Near Room (2020), a new moving-image work by the artist Sophie Cundale (b.1987).

The Near Room is a supernatural melodrama about loss that follows the journey of a professional boxer after a near-fatal knockout. The boxer’s disorientations become entangled with the story of a queen living with Cotard Delusion, a rare neurological condition inducing the belief in and sensation of death.

The film’s title is taken from the boxer Muhammad Ali’s description of a vivid, hallucinatory space he would enter when in the depths of a fight – “A door swung half open [into a room of] neon, orange and green lights blinking, bats blowing trumpets and alligators playing trombones, snakes screaming. Weird masks and actors’ clothes hung on the wall, and if he stepped across the sill and reached for them, he knew that he was committing himself to his own destruction.” – George Plimpton, Shadow Box (1977).

The boxing scenes were filmed at long established south London boxing club, Lynn AC in Camberwell. The cast includes professional boxer John Harding Jnr., artist Penny Goring, and actor Chris New.

The Near Room is commissioned and produced by Film and Video Umbrella with support from Arts Council England, South London Gallery, Bonington Gallery, Curator Space and The Gane Trust. The film premiered at South London Gallery in April 2020 and due to COVID-19 was extended until September 2020.

Sophie Cundale (b.1987) lives and works in London. Her work has previously been commissioned by the Serpentine Galleries and the South London Gallery; screened at Temporary Gallery, Cologne; Spike Island, Bristol; Govett-Brewster Gallery, New Zealand; Catalyst Arts and Amini festival, Belfast; VCD festival, Beijing and Innsbruck Biennale, Austria; and hosted on vdrome.org. Cundale’s latest film The Near Room opened at South London Gallery in April 2020 and travels to Bonington Gallery, Nottingham in October 2020.

Please be aware that this film includes moments of violence and blood, as well as sexual references which some viewers may find offensive and unsuitable for children.

Running time: 32 mins.
 
Screening times (Mondays to Fridays): 

10.10 am non subtitled
10.45 am subtitled
11.20 am non subtitled
11.55 am subtitled
12.30 pm non subtitled
1.05 pm subtitled
1.40 pm non subtitled
2.15 pm subtitled
2.40 pm non subtitled
3.15 pm subtitle
3.50 pm non subtitled
4.25 pm subtitled

Screening times (Saturdays):

11.00am non subtitled
11.35am subtitled
12.10pm non subtitled
12.45pm subtitled
1.20pm non subtitled
1.55pm subtitled
2.30pm non subtitled

The Near Room will be available to view online every Sunday during the exhibition.

Full image credits: Sophie Cundale, The Near Room, 2020 (film still). Installation view at Bonington Gallery. Photo: Jules Lister. Courtesy the artist and FVU.



COVID-19 measures
 
 
These are constantly under reviewsubject to change and may vary slightly depending on each exhibition. Please visit this page prior to planning your visit. 

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