Returns
Mastered 2019 Jun - Jun 2019
Art and Design Degree Show Apr - May 2019
The Big Head Man Apr - May 2019
Bonington Vitrines #12: Complaint Jan - Feb 2019
Bonington Vitrines #10: Jewell Feb - Feb 2019
UKYA City Takeover Apr - May 2019
C/J
Chloé Maratta and Joanne Robertson Mar - Mar 2019
The Community Live in Nottingham Nov - Dec 2018
THE SERVING LIBRARY V DAVID OSBALDESTON Nov - Dec 2018
Bonington Vitrines #9: Towards The Serving Library Annual Nov - Dec 2018
Emily Andersen Portraits: Black & White Book launch and exhibition Sep - Oct 2018
BONINGTON VITRINES #8: HOUSE OF WISDOM Jan - Feb 2019
DICK JEWELL: NOW & THEN Sep - Oct 2018
THE ACCUMULATION OF THINGS Apr - Apr 2018
Video Days Preview Apr - May 2018
Video Days Apr - Apr 2018
Video Days: Week One Screenings Apr - Apr 2018
Video Days: Week Two Screenings Apr - May 2018
Video Days: Week Three Screenings May - May 2018
Video Days: Week Four Screenings May - May 2018
Video Days: Week Five Screenings Apr - May 2018
Bonington Vitrines #7: The Bonington building, est. 1969 Feb - Mar 2018
Bonington Vitrines #6: One Eye on the Road – festival and traveller culture since the 1980s Feb - Mar 2018
LACE UNARCHIVED Jan - Feb 2018
Bonington Vitrines #5: Communicating the Contemporary – The ICA Bulletin 1950s to 1990s Nov - Dec 2017
Bonington Vitrines #4: Sara MacKillop publications, 2008–2017 Sep - Oct 2017
Bonington Vitrines #3: London’s Calling Jan - Feb 2018
Ruth Angel Edwards: Wheel of the Year
! EFFLUENT PROFUNDAL ZONE ! Nov - Dec 2017
Sara MacKillop: One Room Living Sep - Oct 2017
It’s Our Playground: Artificial Sensibility Apr - May 2017
YOU’RE GONNA NEED A BIGGER BOAT Sep - Oct 2016
MOULD MAP 6 — TERRAFORMERS Oct - Dec 2016
KRÍSIS Jan - Feb 2017
ALL MEN BY NATURE DESIRE TO KNOW Jan - Feb 2017
Bonington Vitrines #2: Marbled Reams Oct - Dec 2016
Bonington Vitrines #1: Selections from the Raw Print Archive Feb - Mar 2017
SHAPELESS IMPACT NOT TIME SLOW IS (FLITS BY) Feb - Mar 2016
Imprints of Culture: Block Printed Textiles of India Apr - May 2016
PUBLISHING ROOMS Nov - Dec 2015
In Place of Architecture Jan - Feb 2016
Performing Drawology Nov - Dec 2015
Photography Dialogues Sep - Oct 2015
Inscription: The Almshouse Tempera Project Sep - Oct 2015
Alan Kitching and Monotype Jul - Jul 2015
Open Studio Jun - Jul 2015
ICONS OF RHETORIC | 북한의 수사학 아이콘 Apr - May 2015
SIMON CALLERY: SOFT PAINTING Mar - Mar 2015
Made In Wood Feb - Mar 2015
Returns Jan - Jan 2015
MAKE/BELIEVE
12 Feb - 4 Mar 2015
Returns
Returns formed part of an on-going collaboration between Nottingham Trent University and Sheffield Hallam University (SHU). Established in 2012, it developed out of an International Research Project titled Topographies of the Obsolete, set up by Bergen Academy of Art and Design, Norway; and focused on the disused ceramics factory in Stoke-on-Trent, Spode Works.
The aim of the research was to deepen and develop our understanding of the post-industrial landscape with specific reference to the industrial ruin. Through a series of residencies and workshops, a cross-disciplinary group of artists and researchers from a range of international art institutions set out to explore the socio-economic histories, industrial architecture and production remains of the former Spode Works. The results of the research were exhibited and published during the British Ceramics Biennial in September 2013 and Seconds, in the Lace Market Gallery in March 2014.
The exhibition at Bonington Gallery was the first showing of the newly generated outcomes, with a subsequent exhibition taking place at Sheffield Hallam SIA Gallery in Winter 2016. Each exhibition showed a new development from the work previously exhibited, demonstrating the progression of the research.
The exhibition brought together artistic research from NTU:
» Andrew Brown » Joanne Lee » Danica Maier » Debra Swann; and from SHU » Chloë Brown.
Recent fine art graduates who participated in the original Spode project were in residence during the exhibition, from NTU:
» Ciaran Harrington » Christine Stevens.
Read more about the research project.
Discussion workshops
Throughout the Returns exhibition, researchers from the project led a series of discussion workshops. Each session was intended for a small group of invited speakers and participants who considered a specific area emerging from the concerns uncovered in Returns’ research through practice.
The discussions took the form of presentations, group conversations and practical activities. Their aim was to bring together professionals and practitioners to reflect upon three particular points of focus:
» Digging through Dirt: Archaeology past, present, precious and unwanted
Wednesday 11 February, 1 pm – 2.15 pm
» Artists will have your Ruin: Regeneration through the arts
Wednesday 18 February, 1 pm – 2.15 pm
» Ruins of Craft: Lost art of making
Wednesday 25 February, 1 pm – 2.15 pm
