Sean Cummins: The Potato Eaters Discover Cold Fusion
The Annotated Reader Feb - Mar 2020
Matt Woodham: Sensing Systems Jan - Jan 2020
Nick Chaffe: Motif Residency exhibition Nov - Feb 2020
Motif Sep - Nov 2019
Waking the witch: Old ways, new rites Apr - May 2019
The Big Head Man Sep - Nov 2019
Bonington Vitrines #13: Wayne Burrows – Works from the Hallucinated Archive Feb - Mar 2020
Bonington Vitrines #15: Nomadic Vitrine with Mick Peter Nov - Feb 2020
Bonington Vitrines #14: Journeys to Nottingham from the Windrush Generation Apr - May 2019
Bonington Vitrines #12: Complaint Jan - Feb 2019
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UKYA City Takeover Apr - May 2019
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The Community Live in Nottingham Nov - Dec 2018
THE SERVING LIBRARY V DAVID OSBALDESTON Nov - Dec 2018
Bonington Vitrines #9: Towards The Serving Library Annual Nov - Dec 2018
Emily Andersen Portraits: Black & White Book launch and exhibition Sep - Oct 2018
BONINGTON VITRINES #8: HOUSE OF WISDOM Jan - Feb 2019
DICK JEWELL: NOW & THEN Sep - Oct 2018
THE ACCUMULATION OF THINGS Apr - Apr 2018
Video Days Preview Apr - May 2018
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Bonington Vitrines #6: One Eye on the Road – festival and traveller culture since the 1980s Feb - Mar 2018
LACE UNARCHIVED Jan - Feb 2018
Bonington Vitrines #5: Communicating the Contemporary – The ICA Bulletin 1950s to 1990s Nov - Dec 2017
Bonington Vitrines #4: Sara MacKillop publications, 2008–2017 Sep - Oct 2017
Bonington Vitrines #3: London’s Calling Jan - Feb 2018
Ruth Angel Edwards: Wheel of the Year
! EFFLUENT PROFUNDAL ZONE ! Nov - Dec 2017
Sara MacKillop: One Room Living Sep - Oct 2017
It’s Our Playground: Artificial Sensibility Apr - May 2017
YOU’RE GONNA NEED A BIGGER BOAT Sep - Oct 2016
MOULD MAP 6 — TERRAFORMERS Oct - Dec 2016
KRÍSIS Jan - Feb 2017
ALL MEN BY NATURE DESIRE TO KNOW Jan - Feb 2017
Bonington Vitrines #2: Marbled Reams Oct - Dec 2016
Bonington Vitrines #1: Selections from the Raw Print Archive Feb - Mar 2017
SHAPELESS IMPACT NOT TIME SLOW IS (FLITS BY) Feb - Mar 2016
Imprints of Culture: Block Printed Textiles of India Apr - May 2016
PUBLISHING ROOMS Nov - Dec 2015
In Place of Architecture Jan - Feb 2016
Performing Drawology Nov - Dec 2015
Photography Dialogues Sep - Oct 2015
Inscription: The Almshouse Tempera Project Sep - Oct 2015
Alan Kitching and Monotype
12 Mar - 28 Mar 2014
Sean Cummins: The Potato Eaters Discover Cold Fusion
In this exhibition artist Sean Cummins explored a found image, depicting a control room of an experimental nuclear reactor from 1963. Cummins used this image as a catalyst for an exhibition of paintings.
The exhibition title refers to both Van Gogh’s early masterpiece The Potato Eaters and the notion of cold fusion, a hypothetical type of nuclear reaction that occurs at room temperature.
This series of paintings makes an unusual connection between early modernist painting and the utopian aspirations of the creators of nuclear technology. There is a humorous juxtaposition between the agrarians depicted in The Potato Eaters and scientists operating the nuclear power station. A depiction of subsistence and the fiction of cold fusion and its limitless supply of energy.
Cummins knowingly played on paintings’ history and processes, as his images aspired to a collapse of space and time.
