Sean Cummins: The Potato Eaters Discover Cold Fusion
Emily Andersen Portraits: Black & White Book launch and exhibition Sep - Oct 2018
BONINGTON VITRINES #8: HOUSE OF WISDOM Jan - Feb 2019
DICK JEWELL: NOW & THEN Nov - Dec 2018
THE SERVING LIBRARY V DAVID OSBALDESTON Sep - Oct 2018
THE ACCUMULATION OF THINGS Jul - Jul 2018
Mastered Jun - Jun 2018
Art and Design Summer Show Apr - Apr 2018
Video Days Preview Apr - May 2018
Video Days Apr - Apr 2018
Video Days: Week One Screenings Apr - Apr 2018
Video Days: Week Two Screenings Apr - May 2018
Video Days: Week Three Screenings May - May 2018
Video Days: Week Four Screenings May - May 2018
Video Days: Week Five Screenings Apr - May 2018
Bonington Vitrines #7: The Bonington building, est. 1969 Feb - Mar 2018
Bonington Vitrines #6: One Eye on the Road – festival and traveller culture since the 1980s Feb - Mar 2018
LACE UNARCHIVED Jan - Feb 2018
Bonington Vitrines #5: Communicating the Contemporary – The ICA Bulletin 1950s to 1990s Nov - Dec 2017
Bonington Vitrines #4: Sara MacKillop publications, 2008–2017 Sep - Oct 2017
Bonington Vitrines #3: London’s Calling Jan - Feb 2018
Ruth Angel Edwards: Wheel of the Year
! EFFLUENT PROFUNDAL ZONE ! Nov - Dec 2017
Sara MacKillop: One Room Living Sep - Oct 2017
It’s Our Playground: Artificial Sensibility Jul - Jul 2017
Mastered Apr - May 2017
YOU’RE GONNA NEED A BIGGER BOAT Jun - Jun 2017
ART AND DESIGN DEGREE SHOW 2017 Jul - Jul 2016
Mastered: Art and Design Masters Exhibition 2015/16 Sep - Oct 2016
MOULD MAP 6 — TERRAFORMERS Oct - Dec 2016
KRÍSIS Jan - Feb 2017
ALL MEN BY NATURE DESIRE TO KNOW Jan - Feb 2017
Bonington Vitrines #2: Marbled Reams Oct - Dec 2016
Bonington Vitrines #1: Selections from the Raw Print Archive Feb - Mar 2017
SHAPELESS IMPACT NOT TIME SLOW IS (FLITS BY) Feb - Mar 2016
Imprints of Culture: Block Printed Textiles of India Apr - May 2016
PUBLISHING ROOMS Nov - Dec 2015
In Place of Architecture Jan - Feb 2016
Performing Drawology Jun - Jun 2016
Art and Design Degree Show Nov - Dec 2015
Photography Dialogues Sep - Oct 2015
Inscription: The Almshouse Tempera Project Sep - Oct 2015
Alan Kitching and Monotype Jul - Jul 2015
Open Studio Jun - Jul 2015
ICONS OF RHETORIC | 북한의 수사학 아이콘 May - Jun 2015
Art and Design Degree Show 2015 Apr - May 2015
SIMON CALLERY: SOFT PAINTING Mar - Mar 2015
Made In Wood Feb - Mar 2015
Returns Jan - Jan 2015
MAKE/BELIEVE Feb - Feb 2015
Lighting the Future: No Boundaries Jan - Feb 2015
Crafting Anatomies
12 Mar - 28 Mar 2014
Sean Cummins: The Potato Eaters Discover Cold Fusion
In this exhibition artist Sean Cummins explored a found image, depicting a control room of an experimental nuclear reactor from 1963. Cummins used this image as a catalyst for an exhibition of paintings.
The exhibition title refers to both Van Gogh’s early masterpiece The Potato Eaters and the notion of cold fusion, a hypothetical type of nuclear reaction that occurs at room temperature.
This series of paintings makes an unusual connection between early modernist painting and the utopian aspirations of the creators of nuclear technology. There is a humorous juxtaposition between the agrarians depicted in The Potato Eaters and scientists operating the nuclear power station. A depiction of subsistence and the fiction of cold fusion and its limitless supply of energy.
Cummins knowingly played on paintings’ history and processes, as his images aspired to a collapse of space and time.
