ICONS OF RHETORIC | 북한의 수사학 아이콘
Bonington Vitrines #10: Jewell Feb - Feb 2019
UKYA City Takeover Apr - May 2019
C/J
Chloé Maratta and Joanne Robertson Mar - Mar 2019
The Community Live in Nottingham Nov - Dec 2018
THE SERVING LIBRARY V DAVID OSBALDESTON Nov - Dec 2018
Bonington Vitrines #9: Towards The Serving Library Annual Nov - Dec 2018
Emily Andersen Portraits: Black & White Book launch and exhibition Sep - Oct 2018
BONINGTON VITRINES #8: HOUSE OF WISDOM Jan - Feb 2019
DICK JEWELL: NOW & THEN Sep - Oct 2018
THE ACCUMULATION OF THINGS Apr - Apr 2018
Video Days Preview Apr - May 2018
Video Days Apr - Apr 2018
Video Days: Week One Screenings Apr - Apr 2018
Video Days: Week Two Screenings Apr - May 2018
Video Days: Week Three Screenings May - May 2018
Video Days: Week Four Screenings May - May 2018
Video Days: Week Five Screenings Apr - May 2018
Bonington Vitrines #7: The Bonington building, est. 1969 Feb - Mar 2018
Bonington Vitrines #6: One Eye on the Road – festival and traveller culture since the 1980s Feb - Mar 2018
LACE UNARCHIVED Jan - Feb 2018
Bonington Vitrines #5: Communicating the Contemporary – The ICA Bulletin 1950s to 1990s Nov - Dec 2017
Bonington Vitrines #4: Sara MacKillop publications, 2008–2017 Sep - Oct 2017
Bonington Vitrines #3: London’s Calling Jan - Feb 2018
Ruth Angel Edwards: Wheel of the Year
! EFFLUENT PROFUNDAL ZONE ! Nov - Dec 2017
Sara MacKillop: One Room Living Sep - Oct 2017
It’s Our Playground: Artificial Sensibility Apr - May 2017
YOU’RE GONNA NEED A BIGGER BOAT Sep - Oct 2016
MOULD MAP 6 — TERRAFORMERS Oct - Dec 2016
KRÍSIS Jan - Feb 2017
ALL MEN BY NATURE DESIRE TO KNOW Jan - Feb 2017
Bonington Vitrines #2: Marbled Reams Oct - Dec 2016
Bonington Vitrines #1: Selections from the Raw Print Archive Feb - Mar 2017
SHAPELESS IMPACT NOT TIME SLOW IS (FLITS BY) Feb - Mar 2016
Imprints of Culture: Block Printed Textiles of India Apr - May 2016
PUBLISHING ROOMS Nov - Dec 2015
In Place of Architecture Jan - Feb 2016
Performing Drawology Nov - Dec 2015
Photography Dialogues Sep - Oct 2015
Inscription: The Almshouse Tempera Project Sep - Oct 2015
Alan Kitching and Monotype Jul - Jul 2015
Open Studio Jun - Jul 2015
ICONS OF RHETORIC | 북한의 수사학 아이콘 Apr - May 2015
SIMON CALLERY: SOFT PAINTING Mar - Mar 2015
Made In Wood Feb - Mar 2015
Returns Jan - Jan 2015
MAKE/BELIEVE Feb - Feb 2015
Lighting the Future: No Boundaries Jan - Feb 2015
Crafting Anatomies Nov - Nov 2014
Knitting Nottingham Oct - Oct 2014
George Miles: Views of Matlock Bath
18 Jun - 10 Jul 2015
ICONS OF RHETORIC | 북한의 수사학 아이콘
Looking In, With a View to Looking Out
North Korea reinterpreted on instant film
A joint exhibition by photographer Chris Barrett and researcher Gianluca Spezza
Under Kim Jong Un’s leadership, North Korea has made a conscious decision to be more proactive in the media world. In 2013 we saw the very first live tweeted image of the North Korean leader, from mainstream Western media.
Icons of Rhetoric (IoR) offered a different approach to documenting North Korea, merging established news media practices with more contemporary ones, drawing particular attention to social media.
“While researching an article about an Instagram account claiming to be the official outlet of North Korean news, I started to think about the visual representation of North Korea.
The idea of the project became a reflection on our engagement with modern media techniques, our consumption of images and our knowledge of this ‘most closed off country in the world’ that is the DPRK, all this interwoven with the notion of democratized propaganda.”
Chris Barrett, photographer and curator
By reinterpreting images that already exist in the public domain, Icons of Rhetoric played on an aesthetic of authenticity.
Read more about the Icons of Rhetoric research project.
Follow #IconsofRhetoric on social media:
@IconsofRhetoric
@KazakhPilot (Gianluca Spezza)
facebook.com/IconsOfRhetoric
instagram.com/iconsofrhetoric
