Ear to Ear

Apr - May 2019
C / J
Chloé Maratta and Joanne Robertson
Mar - Mar 2019
The Community Live in Nottingham
Nov - Dec 2018
THE SERVING LIBRARY V DAVID OSBALDESTON
Nov - Dec 2018
Bonington Vitrines #9: Towards The Serving Library Annual
Nov - Dec 2018
Emily Andersen Portraits: Black & White Book launch and exhibition
Sep - Oct 2018
BONINGTON VITRINES #8: HOUSE OF WISDOM
Jan - Feb 2019
DICK JEWELL: NOW & THEN
Sep - Oct 2018
THE ACCUMULATION OF THINGS
Jul - Jul 2018
Mastered
Jun - Jun 2018
Art and Design Summer Show
Apr - Apr 2018
Video Days Preview
Apr - May 2018
Video Days
Apr - Apr 2018
Video Days: Week One Screenings
Apr - Apr 2018
Video Days: Week Two Screenings
Apr - May 2018
Video Days: Week Three Screenings
May - May 2018
Video Days: Week Four Screenings
May - May 2018
Video Days: Week Five Screenings
Apr - May 2018
Bonington Vitrines #7: The Bonington building, est. 1969
Feb - Mar 2018
Bonington Vitrines #6: One Eye on the Road – festival and traveller culture since the 1980s
Feb - Mar 2018
LACE UNARCHIVED
Jan - Feb 2018
Bonington Vitrines #5: Communicating the Contemporary – The ICA Bulletin 1950s to 1990s
Nov - Dec 2017
Bonington Vitrines #4: Sara MacKillop publications, 2008–2017
Sep - Oct 2017
Bonington Vitrines #3: London’s Calling
Jan - Feb 2018
Ruth Angel Edwards: Wheel of the Year
! EFFLUENT PROFUNDAL ZONE !
Nov - Dec 2017
Sara MacKillop: One Room Living
Sep - Oct 2017
It’s Our Playground: Artificial Sensibility
Jul - Jul 2017
Mastered
Apr - May 2017
YOU’RE GONNA NEED A BIGGER BOAT
Jun - Jun 2017
ART AND DESIGN DEGREE SHOW 2017
Jul - Jul 2016
Mastered: Art and Design Masters Exhibition 2015/16
Sep - Oct 2016
MOULD MAP 6 — TERRAFORMERS
Oct - Dec 2016
KRÍSIS
Jan - Feb 2017
ALL MEN BY NATURE DESIRE TO KNOW
Jan - Feb 2017
Bonington Vitrines #2: Marbled Reams
Oct - Dec 2016
Bonington Vitrines #1: Selections from the Raw Print Archive
Feb - Mar 2017
SHAPELESS IMPACT NOT TIME SLOW IS (FLITS BY)
Feb - Mar 2016
Imprints of Culture: Block Printed Textiles of India
Apr - May 2016
PUBLISHING ROOMS
Nov - Dec 2015
In Place of Architecture
Jan - Feb 2016
Performing Drawology
Jun - Jun 2016
Art and Design Degree Show
Nov - Dec 2015
Photography Dialogues
Sep - Oct 2015
Inscription: The Almshouse Tempera Project
Sep - Oct 2015
Alan Kitching and Monotype
Jul - Jul 2015
Open Studio
Jun - Jul 2015
ICONS OF RHETORIC | 북한의 수사학 아이콘
May - Jun 2015
Art and Design Degree Show 2015
Apr - May 2015
SIMON CALLERY: SOFT PAINTING
Mar - Mar 2015
Made In Wood
Feb - Mar 2015
Returns

14 Feb - 1 Mar 2013

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Ear to Ear

An Exhibition by Robert Squirrell and Thomas Hall

Opening up a space for the ear and the voice, Ear to Ear offered an invitation to its audience to become immersed in sonic space. It challenged the dominance of the visual in both the world of contemporary art and the modern day art and design school.

This exhibition featured immersive sound works by Robert Squirrell and Thomas Hall as well as a collection of playbacks and screenings curated by Rob Flint, on behalf of the Listening Group*.

Sirens by Thomas Hall
Hypnotic and enchanting Sirens is an immersive aural and visual experience, resonating the allure and seductiveness of the mythical sea deities. Enticed into the installation by an ever changing musical arrangement of voices the viewer is surrounded by imposing sculptural forms, evoking impressions of being trapped in the hull of a boat or caught in the clutches of a pair of hands. Each experience is unique to the individual viewer.

Inharmonic Accelerator by Robert Squirrell
An interactive sound installation in the form of a spiral maze exploring ideas related to the Large Hadron Collider – CERN, particle physics, circularity and what it might sound like. Curious about our understanding of the universe, the work sonically explores a physical experience of play in an immersive surround sound environment.

Thomas Hall and Robert Squirrell are both members of Engagement Party, an artist led group working individually and collectively with notions of active engagement, interaction and play.

*Listening Group is an informal meeting of students and staff. It is intended to be a place for focusing attention to art-works that foreground sound and active listening.

 

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