Beyond the Line
The Annotated Reader Feb - Mar 2020
Matt Woodham: Sensing Systems Nov - Feb 2020
Motif Sep - Nov 2019
Waking the witch: Old ways, new rites Apr - May 2019
The Big Head Man Sep - Nov 2019
Bonington Vitrines #13: Wayne Burrows – Works from the Hallucinated Archive Apr - May 2019
Bonington Vitrines #12: Complaint Jan - Feb 2019
Bonington Vitrines #10: Jewell Feb - Feb 2019
UKYA City Takeover Apr - May 2019
C/J
Chloé Maratta and Joanne Robertson Mar - Mar 2019
The Community Live in Nottingham Nov - Dec 2018
THE SERVING LIBRARY V DAVID OSBALDESTON Nov - Dec 2018
Bonington Vitrines #9: Towards The Serving Library Annual Nov - Dec 2018
Emily Andersen Portraits: Black & White Book launch and exhibition Sep - Oct 2018
BONINGTON VITRINES #8: HOUSE OF WISDOM Jan - Feb 2019
DICK JEWELL: NOW & THEN Sep - Oct 2018
THE ACCUMULATION OF THINGS Apr - Apr 2018
Video Days Preview Apr - May 2018
Video Days Apr - Apr 2018
Video Days: Week One Screenings Apr - Apr 2018
Video Days: Week Two Screenings Apr - May 2018
Video Days: Week Three Screenings May - May 2018
Video Days: Week Four Screenings May - May 2018
Video Days: Week Five Screenings Apr - May 2018
Bonington Vitrines #7: The Bonington building, est. 1969 Feb - Mar 2018
Bonington Vitrines #6: One Eye on the Road – festival and traveller culture since the 1980s Feb - Mar 2018
LACE UNARCHIVED Jan - Feb 2018
Bonington Vitrines #5: Communicating the Contemporary – The ICA Bulletin 1950s to 1990s Nov - Dec 2017
Bonington Vitrines #4: Sara MacKillop publications, 2008–2017 Sep - Oct 2017
Bonington Vitrines #3: London’s Calling Jan - Feb 2018
Ruth Angel Edwards: Wheel of the Year
! EFFLUENT PROFUNDAL ZONE ! Nov - Dec 2017
Sara MacKillop: One Room Living Sep - Oct 2017
It’s Our Playground: Artificial Sensibility Apr - May 2017
YOU’RE GONNA NEED A BIGGER BOAT Sep - Oct 2016
MOULD MAP 6 — TERRAFORMERS Oct - Dec 2016
KRÍSIS Jan - Feb 2017
ALL MEN BY NATURE DESIRE TO KNOW Jan - Feb 2017
Bonington Vitrines #2: Marbled Reams Oct - Dec 2016
Bonington Vitrines #1: Selections from the Raw Print Archive Feb - Mar 2017
SHAPELESS IMPACT NOT TIME SLOW IS (FLITS BY) Feb - Mar 2016
Imprints of Culture: Block Printed Textiles of India Apr - May 2016
PUBLISHING ROOMS Nov - Dec 2015
In Place of Architecture Jan - Feb 2016
Performing Drawology Nov - Dec 2015
Photography Dialogues Sep - Oct 2015
Inscription: The Almshouse Tempera Project Sep - Oct 2015
Alan Kitching and Monotype Jul - Jul 2015
Open Studio Jun - Jul 2015
ICONS OF RHETORIC | 북한의 수사학 아이콘 Apr - May 2015
SIMON CALLERY: SOFT PAINTING
14 Apr - 17 Apr 2014
Beyond the Line
Beyond the Line was an international, interdisciplinary collaboration involving artist-writer Emma Cocker, artist Nikolaus Gansterer (Vienna) and choreographer Mariella Greil (Vienna).
Cocker, Gansterer and Greil inhabited the gallery as an experimental ‘method laboratory’ for staging an encounter between choreography, drawing and writing; between body, mark and text.
Through processes of reciprocal exchange, dialogue and negotiation between three different practices, Beyond the Line interrogated the interstitial processes, practices and knowledge(s) produced in the ‘deviation’ for example, from page to performance, from word to mark, from line to action, from modes of flat image making towards transformational embodied encounters.
Glimpses of the unfolding ‘method laboratory’ were made possible through a live-feed video stream that could be viewed in the Bonington foyer. The ‘laboratory’ was open to the public at scheduled times where the artists were ‘in-residence’ to share their working processes.
Beyond the Line was conceived as ‘test-bed’ for exploring collaborative methods for working between and beyond the disciplinary lines of drawing, dance and writing and is supported by the Austrian Federal Ministry for Education, the Arts and Culture (BMUKK). Ideas and working processes emerging from Beyond the Line will be developed further as part of a 3-year collaborative research project between Cocker, Gansterer and Greil entitled Choreo-graphic Figures: Deviations from the Line 2014 – 2017 (funded by the Austrian Program for Arts-based Research, PEEK).
The Method Laboratory
Thursday 17 April from 10.00 am – 4.00 pm.
SCHEDULE:
10 am – 12 pm: Live Exploration Session
12 pm – 1.30 pm: The lab remains open with fragments of the research process made visible
1.30 pm – 3 pm: Live Exploration Session
3 pm – 4 pm: Discussion
