What you could have won

Feb - Mar 2021
Reactor: Here, the Gold Ones meet
Oct - Dec 2020
Sophie Cundale: The Near Room – watch online
Mar - May 2021
The Annotated Reader
Feb - Mar 2020
Matt Woodham: Sensing Systems (streaming online)
Jan - Jan 2020
Nick Chaffe: Motif Residency exhibition
Nov - Feb 2020
Motif
Sep - Nov 2019
Waking the witch: Old ways, new rites
Apr - May 2019
The Big Head Man
Sep - Nov 2019
Bonington Vitrines #13: Wayne Burrows – Works from the Hallucinated Archive
Apr - May 2020
Bonington Vitrines #16: The Captive Conscious (POSTPONED)
Feb - Mar 2020
Bonington Vitrines #15: Nomadic Vitrine with Mick Peter (CLOSED)
Nov - Feb 2020
Bonington Vitrines #14: Journeys to Nottingham from the Windrush Generation
Apr - May 2019
Bonington Vitrines #12: Complaint
Jan - Feb 2019
Bonington Vitrines #10: Jewell
Feb - Feb 2019
UKYA City Takeover
Apr - May 2019
C/J
Chloé Maratta and Joanne Robertson
Mar - Mar 2019
The Community Live in Nottingham
Nov - Dec 2018
THE SERVING LIBRARY V DAVID OSBALDESTON
Nov - Dec 2018
Bonington Vitrines #9: Towards The Serving Library Annual
Nov - Dec 2018
Emily Andersen Portraits: Black & White Book launch and exhibition
Sep - Oct 2018
BONINGTON VITRINES #8: HOUSE OF WISDOM
Jan - Feb 2019
DICK JEWELL: NOW & THEN
Sep - Oct 2018
THE ACCUMULATION OF THINGS
Apr - Apr 2018
Video Days Preview
Apr - May 2018
Video Days
Apr - Apr 2018
Video Days: Week One Screenings
Apr - Apr 2018
Video Days: Week Two Screenings
Apr - May 2018
Video Days: Week Three Screenings
May - May 2018
Video Days: Week Four Screenings
May - May 2018
Video Days: Week Five Screenings
Apr - May 2018
Bonington Vitrines #7: The Bonington building, est. 1969
Feb - Mar 2018
Bonington Vitrines #6: One Eye on the Road – festival and traveller culture since the 1980s
Feb - Mar 2018
LACE UNARCHIVED
Jan - Feb 2018
Bonington Vitrines #5: Communicating the Contemporary – The ICA Bulletin 1950s to 1990s
Nov - Dec 2017
Bonington Vitrines #4: Sara MacKillop publications, 2008–2017
Sep - Oct 2017
Bonington Vitrines #3: London’s Calling
Jan - Feb 2018
Ruth Angel Edwards: Wheel of the Year
! EFFLUENT PROFUNDAL ZONE !
Nov - Dec 2017
Sara MacKillop: One Room Living
Sep - Oct 2017
It’s Our Playground: Artificial Sensibility
Apr - May 2017
YOU’RE GONNA NEED A BIGGER BOAT
Sep - Oct 2016
MOULD MAP 6 — TERRAFORMERS
Oct - Dec 2016
KRÍSIS
Jan - Feb 2017
ALL MEN BY NATURE DESIRE TO KNOW
Jan - Feb 2017
Bonington Vitrines #2: Marbled Reams
Oct - Dec 2016
Bonington Vitrines #1: Selections from the Raw Print Archive
Feb - Mar 2017
SHAPELESS IMPACT NOT TIME SLOW IS (FLITS BY)
Feb - Mar 2016
Imprints of Culture: Block Printed Textiles of India
Apr - May 2016
PUBLISHING ROOMS
Nov - Dec 2015
In Place of Architecture
Jan - Feb 2016
Performing Drawology

12 Nov - 12 Nov 2020

Close

What you could have won

Join us for this online film screening curated by artists Sophie Cundale and Ben Gomes. The screening will take place on YouTube here.

What You Could Have Won is a contemporary interpretation of chaos, where relics from childhood return to destabilise our notions of reality. The online screening evokes spirits from the past, exploring subconscious energies that lie in the underbellies of power and popular culture. Artists’ works are combined with other video fragments, a drift through cartoonish cynics, unblinking zombie cultures and folkloric futures.

This screening was curated for South London Gallery, and is a repeat showing.

The screening includes works by Karen Kilimnik, Jennifer Martin, Chloée Maugile, Chris Michael, and Andrew Norman Wilson.

 

Content guidance:

One work includes explicit sexual content, 18+

 

Schedule:

Mr Blobby Goes Shopping (Extract, sound design by Saul Rivers at CODA): 1 min 40 sec

Sophie Cundale and Ben Gomes, Nativity Part 1, 2016, Mini DV transferred to digital: 3 min 12 sec

Hate to Love (Extract) 1 min Sunset Beach (Extract): 55 sec

Andrew Norman Wilson, In the Air Tonight, 2020, HD video, colour, sound: 8 min

Karen Kilimnik, Kate Moss at the Beginning, 1996, VHS transferred to HD file: 7 min (Courtesy of the artist and Sprüth Magers Gallery)

Jennifer Martin, Channel 6, 2019, HD video, colour, sound: 7 min 30 sec

Chris Michael, In Your Room, 2019, HD video, colour, sound, 2019: 6 min

Chloée Maugile, At Dawn: Good Manners To Look Good, 2020, 16mm transferred to HD file: 5 min 7 sec (With special thanks to Charlie Hope, Hatty Coward and Nadia Correia for lighting donation)

Sophie Cundale and Ben Gomes, Nativity Part 2, 2016, Mini DV transferred to digital: 11 min

 

Biographies:

Sophie Cundale (b. 1987) is an artist living and working in London. Previous work has been commissioned by Serpentine Galleries and the South London Gallery; screened at Temporary Gallery, Cologne; Spike Island, Bristol; Govett-Brewster Gallery, New Zealand; Catalyst Arts, AMINI festival, Belfast; VCD festival, Beijing and Innsbruck Biennale, Austria; and hosted on vdrome.org. The Near Room at the South London Gallery is her first major solo exhibition, and travels in November 2020 to Bonington Gallery, Nottingham.

Ben Gomes (b. 1989) is an artist living and working in London. His work includes painting, performance and writing. Recent exhibitions include Get Out of My Office curated by Daniel Neofetou and The Painting Show at All Hallows Church curated by Ruth Angel Edwards. Recent collaborations with Adam Gallagher have been exhibited at Lima Zulu and Auto Italia.

Karen Kilimnik (b.1955) has diverse practice that draws upon the tradition of Romantic painting, and utilises painting, drawing, collage, photography, video and installation to produce nuanced and playful observations of historical codes and symbols. Revelling in both mass and high culture, George Stubbs, Jean-Baptiste Oudry and the ballet are as important for Kilimnik as The Avengers, Kate Moss and pop music, forcing such distinctions to collapse into her own specific mélange of cultural influence and production.

Jennifer Martin (b. 1990) is an artist-filmmaker living and working in London. Recent solo exhibitions and commissions include TEETH, Primary, Nottingham; Channel 6, Turf Projects, London; and Britain Been Rotten, Cypher Billboards, London. She has screened work in the UK and abroad at Art Licks Weekend, London; 36 Kasseler Dokfest, Kassel; B3 Biennial, Frankfurt; and European Media and Art Festival 32, Osnabrück. Martin is a co-director of the artist workers’ cooperative not/nowhere, which is run by black artists and artists of colour and focuses on photochemical film, audio, and digital practices.

Since 2017 Chloée Maugile has written and directed plays and short films for institutions such as The V&A, The Young Vic and The Block. She graduated from Slade School of Art in 2019 and currently lives and works in London. Maugile will be premiering a new work, ‘At Dawn: Good Manners To Look Good’, a short film featuring Anthony Gopaul, Dumas Maugile and Thom Murphy. Directed by Chloée Maugile, filmed by Nina Porter, styled by Thom Murphy and soundtrack created by Conrad Pack.

Artist and researcher Chris Michael lives and works in London and Basildon, UK. Michael engages with ideas orbiting pop-culture, class, nostalgia, fanaticism, desire, transformation, longing & labour.  His work has been exhibited and screened internationally at institutions such as the Chisenhale, Whitechapel Gallery, Barbican and Southwark Park Galleries and has worked alongside and spoken at South London Gallery, The Woodmill, UAL and Newham Council among others. Michael is currently a visiting lecturer at the Royal College of Art on MA Visual Communication.

Andrew Norman Wilson (b.1983) is an artist and curator based between Europe and the United States. Recent exhibitions include Hirngespenster at the Kunstverein Braunschweig in 2019 (solo), Picture Industry at Luma Arles in 2018, Dreamlands at the Whitney Museum in 2017, and the Gwangju Biennial in 2016.

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