Interregnum: An evening with Geraldine Monk and Linda Kemp
The Annotated Reader Feb - Mar 2020
Matt Woodham: Sensing Systems Nov - Feb 2020
Motif Sep - Nov 2019
Waking the witch: Old ways, new rites Apr - May 2019
The Big Head Man Sep - Nov 2019
Bonington Vitrines #13: Wayne Burrows – Works from the Hallucinated Archive Nov - Feb 2020
Bonington Vitrines #14: Journeys to Nottingham from the Windrush Generation Apr - May 2019
Bonington Vitrines #12: Complaint Jan - Feb 2019
Bonington Vitrines #10: Jewell Feb - Feb 2019
UKYA City Takeover Apr - May 2019
C/J
Chloé Maratta and Joanne Robertson Mar - Mar 2019
The Community Live in Nottingham Nov - Dec 2018
THE SERVING LIBRARY V DAVID OSBALDESTON Nov - Dec 2018
Bonington Vitrines #9: Towards The Serving Library Annual Nov - Dec 2018
Emily Andersen Portraits: Black & White Book launch and exhibition Sep - Oct 2018
BONINGTON VITRINES #8: HOUSE OF WISDOM Jan - Feb 2019
DICK JEWELL: NOW & THEN Sep - Oct 2018
THE ACCUMULATION OF THINGS Apr - Apr 2018
Video Days Preview Apr - May 2018
Video Days Apr - Apr 2018
Video Days: Week One Screenings Apr - Apr 2018
Video Days: Week Two Screenings Apr - May 2018
Video Days: Week Three Screenings May - May 2018
Video Days: Week Four Screenings May - May 2018
Video Days: Week Five Screenings Apr - May 2018
Bonington Vitrines #7: The Bonington building, est. 1969 Feb - Mar 2018
Bonington Vitrines #6: One Eye on the Road – festival and traveller culture since the 1980s Feb - Mar 2018
LACE UNARCHIVED Jan - Feb 2018
Bonington Vitrines #5: Communicating the Contemporary – The ICA Bulletin 1950s to 1990s Nov - Dec 2017
Bonington Vitrines #4: Sara MacKillop publications, 2008–2017 Sep - Oct 2017
Bonington Vitrines #3: London’s Calling Jan - Feb 2018
Ruth Angel Edwards: Wheel of the Year
! EFFLUENT PROFUNDAL ZONE ! Nov - Dec 2017
Sara MacKillop: One Room Living Sep - Oct 2017
It’s Our Playground: Artificial Sensibility Apr - May 2017
YOU’RE GONNA NEED A BIGGER BOAT Sep - Oct 2016
MOULD MAP 6 — TERRAFORMERS Oct - Dec 2016
KRÍSIS Jan - Feb 2017
ALL MEN BY NATURE DESIRE TO KNOW Jan - Feb 2017
Bonington Vitrines #2: Marbled Reams Oct - Dec 2016
Bonington Vitrines #1: Selections from the Raw Print Archive Feb - Mar 2017
SHAPELESS IMPACT NOT TIME SLOW IS (FLITS BY) Feb - Mar 2016
Imprints of Culture: Block Printed Textiles of India Apr - May 2016
PUBLISHING ROOMS Nov - Dec 2015
In Place of Architecture Jan - Feb 2016
Performing Drawology Nov - Dec 2015
Photography Dialogues Sep - Oct 2015
Inscription: The Almshouse Tempera Project Sep - Oct 2015
Alan Kitching and Monotype Jul - Jul 2015
Open Studio Jun - Jul 2015
ICONS OF RHETORIC | 북한의 수사학 아이콘
2 Oct - 2 Oct 2019
Interregnum: An evening with Geraldine Monk and Linda Kemp
On the occasion of our exhibition Waking the Witch: Old Ways, New Rites, please join us for an evening with poet Geraldine Monk. The evening will consist of a reading by Monk, followed by an in-conversation with NTU Research Fellow Linda Kemp and finish with a Q&A session.
First published in the 1970s, Geraldine Monk’s poetry has appeared extensively in the UK and the USA. Monk’s major collections of poetry include Interregnum (1994), Escafeld Hangings (2005), Ghost & Other Sonnets (2008), They Who Saw the Deep (2016), and numerous other books and collaborations. She is an affiliated poet at The Centre for Poetry and Poetics, University of Sheffield.
Geraldine Monk was born in Lancashire close to Pendle Hill, which achieved notoriety in 1612 as the epicentre of witchcraft and the subsequent Lancashire Witch Trials in Lancaster which resulted in 10 people being hanged. Growing up with the legend of the witches laid the foundations for her most celebrated collection of poetry Interregnum (1994) and a subsequent rearrangement of the monologues in Pendle Witch Words (2012). Exploring present-day and historical abuse and misuse of what Monk calls ‘language-magic’, she gifts the witches’ words they could never have owned or uttered in their lifetime.
Linda Kemp is a Research Fellow in the Social Work, Care and Community department at NTU. Their research is interdisciplinary, drawing on creative writing, sound performance and social research. Linda’s writing on Monk’s poetry can be found in On Repetition: Writing, Performance and Art (ed. Kartsaki, 2016). Linda also co-organises event programmes of poetry and sound performance.
The intention will be to make the evening as open as possible, and we will welcome contributions from the audience throughout the event. Light refreshments will be provided.
If you would like to attend this event please RSVP to confirm your attendance.
