Examining art and archives
The Annotated Reader Feb - Mar 2020
Matt Woodham: Sensing Systems Nov - Feb 2020
Motif Sep - Nov 2019
Waking the witch: Old ways, new rites Apr - May 2019
The Big Head Man Sep - Nov 2019
Bonington Vitrines #13: Wayne Burrows – Works from the Hallucinated Archive Nov - Feb 2020
Bonington Vitrines #14: Journeys to Nottingham from the Windrush Generation Apr - May 2019
Bonington Vitrines #12: Complaint Jan - Feb 2019
Bonington Vitrines #10: Jewell Feb - Feb 2019
UKYA City Takeover Apr - May 2019
C/J
Chloé Maratta and Joanne Robertson Mar - Mar 2019
The Community Live in Nottingham Nov - Dec 2018
THE SERVING LIBRARY V DAVID OSBALDESTON Nov - Dec 2018
Bonington Vitrines #9: Towards The Serving Library Annual Nov - Dec 2018
Emily Andersen Portraits: Black & White Book launch and exhibition Sep - Oct 2018
BONINGTON VITRINES #8: HOUSE OF WISDOM Jan - Feb 2019
DICK JEWELL: NOW & THEN Sep - Oct 2018
THE ACCUMULATION OF THINGS Apr - Apr 2018
Video Days Preview Apr - May 2018
Video Days Apr - Apr 2018
Video Days: Week One Screenings Apr - Apr 2018
Video Days: Week Two Screenings Apr - May 2018
Video Days: Week Three Screenings May - May 2018
Video Days: Week Four Screenings May - May 2018
Video Days: Week Five Screenings Apr - May 2018
Bonington Vitrines #7: The Bonington building, est. 1969 Feb - Mar 2018
Bonington Vitrines #6: One Eye on the Road – festival and traveller culture since the 1980s Feb - Mar 2018
LACE UNARCHIVED Jan - Feb 2018
Bonington Vitrines #5: Communicating the Contemporary – The ICA Bulletin 1950s to 1990s Nov - Dec 2017
Bonington Vitrines #4: Sara MacKillop publications, 2008–2017 Sep - Oct 2017
Bonington Vitrines #3: London’s Calling Jan - Feb 2018
Ruth Angel Edwards: Wheel of the Year
! EFFLUENT PROFUNDAL ZONE ! Nov - Dec 2017
Sara MacKillop: One Room Living Sep - Oct 2017
It’s Our Playground: Artificial Sensibility Apr - May 2017
YOU’RE GONNA NEED A BIGGER BOAT Sep - Oct 2016
MOULD MAP 6 — TERRAFORMERS Oct - Dec 2016
KRÍSIS Jan - Feb 2017
ALL MEN BY NATURE DESIRE TO KNOW Jan - Feb 2017
Bonington Vitrines #2: Marbled Reams Oct - Dec 2016
Bonington Vitrines #1: Selections from the Raw Print Archive Feb - Mar 2017
SHAPELESS IMPACT NOT TIME SLOW IS (FLITS BY) Feb - Mar 2016
Imprints of Culture: Block Printed Textiles of India Apr - May 2016
PUBLISHING ROOMS Nov - Dec 2015
In Place of Architecture Jan - Feb 2016
Performing Drawology Nov - Dec 2015
Photography Dialogues Sep - Oct 2015
Inscription: The Almshouse Tempera Project Sep - Oct 2015
Alan Kitching and Monotype Jul - Jul 2015
Open Studio Jun - Jul 2015
ICONS OF RHETORIC | 북한의 수사학 아이콘
17 Feb - 17 Feb 2018
Examining art and archives
LOCATION: BONINGTON LECTURE THEATRE
Archivist Dan Heather, curator of the current Bonington Vitrines exhibition, Communicating the Contemporary – The ICA Bulletin 1950s to 1990s will be joining us on Saturday 17 February to discuss the role of the archivist and the value of archives in the contemporary arts.
The talk will examine the place of archives in exhibition making following the so-called ‘archival turn’ in cultural production, the relationship between the archivist, curator and artist (including the artist-as-archivist) and the growth of art galleries, museums and cultural bodies engaging with their own archive collections to examine and re-evaluate their history.
The talk will also explore alternative approaches to archives and archiving, looking at radical and disruptive ideas around collecting and managing archive material and the value of archives not only as objects for historical enquiry, but as a generative source for new activity.
Dan Heather is currently the Deputy Archivist for Barts Health, an NHS Trust which manages archives and museum objects covering almost 900 years of healthcare and medicine in East London. He was previously the Archivist at the Institute of Contemporary Arts (ICA). He has also worked as an archivist in higher education, managing the records of Hornsey College of Art, and in architecture, at Rogers Stirk Harbour + Partners.
RESERVE YOUR PLACE
This event is open to the general public and admission is free. Please email us to confirm your attendance.
