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My Drawology Experience - Anna Manfield 24 February 2016

It has been such a great experience to be part of the Drawology exhibition, to see this exhibition evolve every day and be a part of all the processes.

For the first few days I assisted Deborah in the cutting and manipulating of huge roles of paper. It was interesting to see the paper become more than just a flat medium and make something so dynamic and sculptural.

Secondly, I assisted Joe Graham filming and making large pieces with paper and tape. It was great to see how he could be so expressive with his drawing style and wasn’t afraid to work quickly and make use of the whole space, despite mentioning that usually he works on a small scale. Working with Joe was great fun and inspired me to think much bigger and be much more expressive in my own practice.

On the last day of the exhibition I joined John Court in writing words around the Gallery walls at full body height. A seemingly easy task which proved to be extremely physically demanding and required a great deal of strength.

When John asked me to start by writing whatever words came to me, I found it so difficult as I was too conscious about what I was writing. He said to write backwards, forwards or upside down and not to worry about the outcome. After a while I felt so comfortable just thinking of words and responding to what he had already written. I became so involved in what I was doing that I was no longer worried about making decisions.

John helped me to see drawing in a completely different way; he said “I don’t need to see drawing, I like to feel it or taste it”.  To him, the act of drawing can be so much more than just pen on paper and can involve the whole body and all of the senses. Working with him has helped me to loosen up and make decisions that are not conscious.

The exhibition has made me so much more confident in my own drawing style and has led me to adopt a much less literal approach to drawing. Being on a Decorative Arts course as opposed to Fine Art I have often felt as though everything I make or draw should be planned and precise, but Performing Drawology has shown me that drawing should be something that is freeing and expressive.

Martin Lewis suggested to me that to loosen up I should try working on a much larger scale, with marks and techniques that were fast and not as conscious, then to use these pieces as source material for patterns and designs. The final pictures on this post are of me working on big rolls and pieces of paper to create large scale illustration pieces for my ongoing project. These pieces have really helped to kick-start my project and generate ideas, and to realise that fine art and design can work together so harmoniously.

The exhibition has definitely changed my perception of drawing and has made me open to so many different ways of working that I would never have thought to use before.

It is just sad that it has come to close.

Thank you so much to Deborah and Phil and to all of the artists for making it such an enjoyable experience!

-Anna Manfield

BA (Hons) Decorative Arts, Year 2.

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Visiting us safely 14 September 2020

We are delighted to reopen to the public on Monday 17 May with Here, the Gold Ones meet by Reactor, and we have put several measures in place to make your visit safe.

These measures have been informed by Government and National Museum Directors Council guidance. They are constantly under review, subject to change and may vary slightly depending on Government guidance and the official roadmap out of lockdown. Please check back to this page prior to planning your visit. 
  
Planning your visit 

Groups no larger than six should visit the gallery at any one time, providing these groups are complying with government guidance on households and bubbles. Numbers inside the gallery will initially be limited to 8 at any single time. There is additional seating and waiting areas outside the gallery for anyone arriving before their scheduled time.

Do not visit if you’re feeling unwell, or have been in contact with someone who has coronavirus, and follow the NHS coronavirus guidelines.

We will be asking for contact details of all visitors on your arrival. We recommend that you also download the NHS COVID-19 app in advance of your visit.

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Entrance to the gallery is still via the main entrance of the Bonington Building and floor markers will assist with social distancing. Please ‘check-in’ to the main building on arrival via the NHS app, and sanitise your hands.

If you arrive before your alotted time, you will be required to wait outside where there are benches. The building will be quieter than usual as students’ access to the campus is more restricted than normal.

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Our risk assessment that has been conducted under guidance from the government and Public Health England is available to be read here. The overarching risk assessment for the wider campuses can be read here.

We have been awarded with a certificate for Visit England’s ‘We’re Good to Go’ scheme which can be read here.

50 Years of Curating and Creating Contemporary Art 12 August 2019

Bonington Gallery has been a significant part of the cultural landscape of Nottingham for half a century. Its diverse and ambitious artistic programme has consistently presented the forefront of creative practice and through this has gained a national reputation.

The gallery has showcased the very best in visual and performing arts from across the world – so join us, as we plan to make the next 50 years just as memorable.

Read more in our latest blog post.

The Community: Live in Nottingham featured on Notts TV 25 March 2019

Last week, Notts TV’s Charlotte Swindells popped down to the gallery to check out our latest exhibition, catching up with curator Tom Godfrey to find out more about the project.

Watch the video at the link below (segment starts at 27:40):

https://nottstv.com/programme/ey-up-notts-tuesday-19th-march/

Chloé Maratta - ARTnews feature 14 January 2019

This April we’re excited to be presenting a two person exhibition between artist, musician and designer Chloé Maratta and artist & musician Joanne Robertson. The exhibition will also involve artefacts from NTU’s School of Art & Design’s high-street fashion archive, FashionMap. Chloé features in a recent ARTnews article that profiles several of the ‘leading lights’ within LA’s art/fashion/music crossover scene:

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