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Exhibition explores the evolution of painting 16 January 2017

The history of painting will be explored in a new exhibition of four contemporary artists whose work broadens and challenges our understanding of the traditional medium. All Men By Nature Desire to Know – at Bonington Gallery from Friday 13 January to Friday 17 February – will present a variety of works which examine the evolution of the art form and reflect how it’s been influenced over time. The exhibition – curated by Nottingham-based artist Joshua Lockwood – features works by Stefania Batoeva, Flora Klein, Audrey Reynolds and Alan Michael. There will be an accompanying text by Rachal Bradley.

“Painting is the world’s oldest art form and hasn’t died out by any means,” says Josh. “It has changed considerably through history and is used in different ways today than used to be. Today there are many ways to create an image, instantly and with more simplicity than by painting. Contemporary painters adopt these new modes of image making to inform their painting, opening up dialogues of their position within the present.

“Technological development, such as photography and more, has made painting more indefinite, allowing the movement of painting towards abstract art, transgressing Western painting historically of being the art of representation.

“Painting is quite a difficult medium as it demands your full attention. You can look at a painting for five seconds or hours in the action of analysis. As such it can be hard for viewers to unpack for we are used to seeing imagery taken through a lens.

“This exhibition brings together four contemporary practitioners who are working today, adding to the continuing narrative of the medium of painting. Influences from the past are absorbed and rejected creating a fresh reality for each painting.”

The exhibition is open Monday – Friday, 10 am – 5 pm.

Image: Joshua Lockwood in the Gallery, in front of two new works by Stefania Batoeva.

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Visiting us safely 14 September 2020

We are delighted to reopen to the public on Monday 17 May with Here, the Gold Ones meet by Reactor, and we have put several measures in place to make your visit safe.

These measures have been informed by Government and National Museum Directors Council guidance. They are constantly under review, subject to change and may vary slightly depending on Government guidance and the official roadmap out of lockdown. Please check back to this page prior to planning your visit. 
  
Planning your visit 

Groups no larger than six should visit the gallery at any one time, providing these groups are complying with government guidance on households and bubbles. Numbers inside the gallery will initially be limited to 8 at any single time. There is additional seating and waiting areas outside the gallery for anyone arriving before their scheduled time.

Do not visit if you’re feeling unwell, or have been in contact with someone who has coronavirus, and follow the NHS coronavirus guidelines.

We will be asking for contact details of all visitors on your arrival. We recommend that you also download the NHS COVID-19 app in advance of your visit.

When you arrive 

Entrance to the gallery is still via the main entrance of the Bonington Building and floor markers will assist with social distancing. Please ‘check-in’ to the main building on arrival via the NHS app, and sanitise your hands.

If you arrive before your alotted time, you will be required to wait outside where there are benches. The building will be quieter than usual as students’ access to the campus is more restricted than normal.

At the entrance to the gallery, you will be asked to show your Eventbrite ticket and provide your contact details to support NHS Test and Trace. We will keep your details for 21 days, and will only share them with NHS Test and Trace if asked in the event of a visitor or member of the team testing positive for coronavirus. The gallery invigilator will be on hand to assist if necessary.

Face masks or coverings must be worn upon entrance to the gallery. There are some free masks available within the building if you forget. If you are exempt from wearing a mask, then please notify the gallery assistant and you will be welcomed accordingly.

2m social distancing is required inside the gallery, as it is throughout the building and campus. Please follow signage and wayfinding measures to adhere to best routes throughout the building and gallery.

Contact areas in the gallery, such as seating, will be subject to cleaning throughout the day. An enhanced cleaning regime is in place across all University buildings.

Clear signage at the gallery entrance will outline the key measures we are adhering too. Please refer to these for guidance. A gallery assistant will also be on hand to help.

Our risk assessment that has been conducted under guidance from the government and Public Health England is available to be read here. The overarching risk assessment for the wider campuses can be read here.

We have been awarded with a certificate for Visit England’s ‘We’re Good to Go’ scheme which can be read here.

50 Years of Curating and Creating Contemporary Art 12 August 2019

Bonington Gallery has been a significant part of the cultural landscape of Nottingham for half a century. Its diverse and ambitious artistic programme has consistently presented the forefront of creative practice and through this has gained a national reputation.

The gallery has showcased the very best in visual and performing arts from across the world – so join us, as we plan to make the next 50 years just as memorable.

Read more in our latest blog post.

The Community: Live in Nottingham featured on Notts TV 25 March 2019

Last week, Notts TV’s Charlotte Swindells popped down to the gallery to check out our latest exhibition, catching up with curator Tom Godfrey to find out more about the project.

Watch the video at the link below (segment starts at 27:40):

https://nottstv.com/programme/ey-up-notts-tuesday-19th-march/

Chloé Maratta - ARTnews feature 14 January 2019

This April we’re excited to be presenting a two person exhibition between artist, musician and designer Chloé Maratta and artist & musician Joanne Robertson. The exhibition will also involve artefacts from NTU’s School of Art & Design’s high-street fashion archive, FashionMap. Chloé features in a recent ARTnews article that profiles several of the ‘leading lights’ within LA’s art/fashion/music crossover scene:

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